Hi, I’m Tim Rees. My background is BBC drama and before that the military. You can read about my life in the army in my memoir, In Sights: The Story Of A Welsh Guardsman, published by The History Press in 2013.
During my time with the BBC I made many films and dramas, including one about a period of my life titled, Mimosa Boys, which was broadcast on BBC1 as a Play For Today. It was a wonderful period where I worked with BAFTA and Emmy award winning directors. I left the BBC to focus on writing my own scripts and ended up writing the novel first so my story is set firmly on the page – my experience with the BBC taught me scripts are rewritten and change from the original script due to budgets, director’s idea’s and perspectives and then the actors come in with their own ideas on the character they’re playing. Making a film is an intensely creative process and it is a process I love, but after finishing my first novel, which is Raw Nerve, I knew I’d been born to be a novelist first and foremost, mainly because the creative intensity is doubled and my relationship with the characters is so much more real than working on a script where it’s necessary to leave it to the director and actors to flesh-out character.
After I’d finished Raw Nerve, I sent it to an agent who immediately signed me. Very soon after that I was flying to New York to sign a deal with HarperCollins. Whilst in New York an actor friend had just won a Tony Award on Broadway, so we hooked up and in his dressing room I met a film producer who asked what my novel was about? I thought for a second how best to explain the story, “It’s a fictitious scenario about why Colin Powell didn’t run for the White House,” I said casually. The producer’s knees buckled. “I have to read it,” she gushed, so we arranged to meet up the next day with my agent. As you can imagine, this was very exciting times. Everyone who read the book loved it. So why didn’t it get published or made into a film, you may well ask? Well, although all the junior editors in the major publishing houses wanted to publish, on every occasion the plug was pulled by the President or Vice-President of the company because it was considered too controversial. One VP actually stated they couldn’t be associated with riots in the streets and another said I was stretching credulity to breaking point and beyond – I think they were referring to the fact I was suggesting a black woman could be elected to the White House. It’s laughable now since Barack Obama has been elected twice.
Anyway, I kept writing and had a short story commissioned by the BBC and I have written another three novels since Raw Nerve.